Fam, I have been so wiped out lately that I feel like I have a Victorian wasting disease. All I can really do is just sit on the couch and read or work on my virtual farm. On the other hand this has given me plenty of time to make up Fake Victorian Wasting Diseases:

• nervous frippery
• whispering spleen
• hysterical ennui
• chimney wheeze
• evening vapors
• wastrel's scrod

In paperback, this makes a thick graphic novel worthy of the name. The greyscale art is simple but expressive, and you quickly get a feel for Mags and her Abuela and their small desert town near Joshua Tree. Mag's childhood friend is back in town with her cowboy boots and pinhole camera and stirring up feelings that Mags can't let herself have because she's tied to her home and the secret in the basement that's bleeding her dry.

A tender story about learning to love yourself so you can accept the love others have for you. The art's limited use of color highlights childhood memories and photographs, but comes out in full force for the happy ending.

Contains: butch/transfem romance; death of a grandparent; and, separate from the romance: infidelity, stalking, emotional manipulation, threats of suicide, gun violence.

a dragonfly
unable to settle
on the grass
     -1690

Translation by Jane Reichhold.

( 俳句 )

One of those thrillers that splits the narrative between two women—both twenty years old, working at the same grubby motel and living in the same apartment, one in 1982 and the other in 2017 trying to solve the mystery of the first one's disappearance—and their stories run so parallel they're basically interchangeable and you start wondering if maybe the author should have only told the story once. It certainly would have cut down on the amount of clunky exposition and awkward dialogue.

The thrills were not thrilling, but the mystery might have been interesting if we weren't getting it from both ends. As it is, not worth the time.

Contains: References to rape, domestic abuse, and child death; descriptions of dead bodies; ghosts.